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Amsterdam fans out south from the Amsterdam Centraal railway station. The Damrak is the main street and leads into the street Rokin. The oldest area of the town is known as de Wallen (the quays). It lies to the east of Damrak and contains the city’s famous red light district. To the south of de Wallen is the old Jewish quarter of Waterlooplein. The 17th century canals of Amsterdam, known as the Grachtengordel, embraces the heart of the city where homes have interesting gables. Beyond the Grachtengordel are the former working class areas of Jordaan and de Pijp. The Museumplein with the city’s major museums, the Vondelpark, a 19th-century park named after the Dutch writer Joost van den Vondel, and the Plantage neighbourhood, with the zoo, are also located outside the Grachtengordel.

See photos of Amsterdam (including canals, The Scheepvaarthuis, The Church of St Nicholas, Dam Square and more) in this travel photo gallery from Verde Wanderer. Pictures taken in 16 of April, 2013.

Several parts of the city and the surrounding urban area are polders. This can be recognised by the suffix -meer which means lake, as in Aalsmeer, Bijlmermeer, Haarlemmermeer, and Watergraafsmeer.

The Amsterdam canal system is the result of conscious city planning. In the early 17th century, when immigration was at a peak, a comprehensive plan was developed that was based on four concentric half-circles of canals with their ends emerging at the IJ bay. Known as the Grachtengordel, three of the canals were mostly for residential development: the Herengracht (where “Heren” refers to Heren Regeerders van de stad Amsterdam (ruling lords of Amsterdam), and gracht means canal, so the name can be roughly translated as “Canal of the lords”), Keizersgracht (Emperor’s Canal), and Prinsengracht (Prince’s Canal). The fourth and outermost canal is the Singelgracht, which is often not mentioned on maps, because it is a collective name for all canals in the outer ring. The Singelgracht should not be confused with the oldest and most inner canal Singel. The canals served for defence, water management and transport. The defences took the form of a moat and earthen dikes, with gates at transit points, but otherwise no masonry superstructures. The original plans have been lost, so historians, such as Ed Taverne, need to speculate on the original intentions: it is thought that the considerations of the layout were purely practical and defensive rather than ornamental.

Construction started in 1613 and proceeded from west to east, across the breadth of the layout, like a gigantic windshield wiper as the historian Geert Mak calls it – and not from the centre outwards, as a popular myth has it. The canal construction in the southern sector was completed by 1656. Subsequently, the construction of residential buildings proceeded slowly. The eastern part of the concentric canal plan, covering the area between the Amstel river and the IJ bay, has never been implemented. In the following centuries, the land was used for parks, senior citizens’ homes, theatres, other public facilities, and waterways without much planning.
Bridges over a canal.

Over the years, several canals have been filled in, becoming streets or squares, such as the Nieuwezijds Voorburgwal and the Spui. Expansion Main article: Expansion of Amsterdam since the 19th century.

After the development of Amsterdam’s canals in the 17th century, the city did not grow beyond its borders for two centuries. During the 19th century, Samuel Sarphati devised a plan based on the grandeur of Paris and London at that time. The plan envisaged the construction of new houses, public buildings and streets just outside the grachtengordel. The main aim of the plan, however, was to improve public health. Although the plan did not expand the city, it did produce some of the largest public buildings to date, like the Paleis voor Volksvlijt.

Following Sarphati, Van Niftrik and Kalff designed an entire ring of 19th century neighbourhoods surrounding the city’s centre, with the city preserving the ownership of all land outside the 17th century limit, thus firmly controlling development. Most of these neighbourhoods became home to the working class.

In response to overcrowding, two plans were designed at the beginning of the 20th century which were very different from anything Amsterdam had ever seen before: Plan Zuid, designed by the architect Berlage, and West. These plans involved the development of new neighbourhoods consisting of housing blocks for all social classes.

After the Second World War, large new neighbourhoods were built in the western, southeastern, and northern parts of the city. These new neighbourhoods were built to relieve the city’s shortage of living space and give people affordable houses with modern conveniences. The neighbourhoods consisted mainly of large housing blocks situated among green spaces, connected to wide roads, making the neighbourhoods easily accessible by motor car. The western suburbs which were built in that period are collectively called the Westelijke Tuinsteden. The area to the southeast of the city built during the same period is known as the Bijlmer.

Built in the Renaissance style, designed by the Dutch architect Hendrick de Keyser, the Westertoren (1637) is the highest church tower (85m) in Amsterdam. The canal houses on the right are characteristic of the architecture of the Dutch Golden Age.
The old city houses on Damrak

Amsterdam has a rich architectural history. The oldest building in Amsterdam is the Oude Kerk (Old Church), at the heart of the Wallen, consecrated in 1306. The oldest wooden building is het Houten Huys at the Begijnhof. It was constructed around 1425 and is one of only two existing wooden buildings. It is also one of the few examples of Gothic architecture in Amsterdam. In the 16th century, wooden buildings were razed and replaced with brick ones. During this period, many buildings were constructed in the architectural style of the Renaissance. Buildings of this period are very recognisable with their stepped gable façades, which is the common Dutch Renaissance style. Amsterdam quickly developed its own Renaissance architecture. These buildings were built according to the principles of the architect Hendrick de Keyser. One of the most striking buildings designed by Hendrick de Keyer is the Westerkerk. In the 17th century baroque architecture became very popular, as it was elsewhere in Europe. This roughly coincided with Amsterdam’s Golden Age. The leading architects of this style in Amsterdam were Jacob van Campen, Philip Vingboons and Daniel Stalpaert.
The Scheepvaarthuis, by arhitects Johan van der Mey, Michel de Klerk, Piet Kramer is characteristic of the architecture of the Amsterdam School.

Philip Vingboons designed splendid merchants’ houses throughout the city. A famous building in baroque style in Amsterdam is the Royal Palace on Dam Square. Throughout the 18th century, Amsterdam was heavily influenced by French culture. This is reflected in the architecture of that period. Around 1815, architects broke with the baroque style and started building in different neo-styles. Most Gothic style buildings date from that era and are therefore said to be built in a neo-gothic style. At the end of the 19th century, the Jugendstil or Art Nouveau style became popular and many new buildings were constructed in this architectural style. Since Amsterdam expanded rapidly during this period, new buildings adjacent to the city centre were also built in this style. The houses in the vicinity of the Museum Square in Amsterdam Oud-Zuid are an example of Jugendstil. The last style that was popular in Amsterdam before the modern era was Art Deco. Amsterdam had its own version of the style, which was called the Amsterdamse School. Whole districts were built this style, such as the Rivierenbuurt. A notable feature of the façades of buildings designed in Amsterdamse School is that they are highly decorated and ornate, with oddly shaped windows and doors.

The old city centre is the focal point of all the architectural styles before the end of the 19th century. Jugendstil and Georgian are mostly found outside the city’s centre in the neighbourhoods built in the early 20th century, although there are also some striking examples of these styles in the city centre. Most historic buildings in the city centre and nearby are houses, such as the famous merchants’ houses lining the canals.

wikipedia.org

Fast walk around central streets of the town. Szczuczyn town, Belarus.
Starting from the XVI century Szczuczyn (Schuchin) became a small town, making part of the Lida District, the Vilnya Province of the Grand Duchy of Lithuania. An opening of the specialized school of the Catholic Monastic Order of Piares, founded in the year 1669, became an important event in the Schuchin history of the XVIII century. The Seym resolution as of the 1726 year ratified the Piares Collegium. Its founder was a Polotsk officer Khlebnizkiy Yuzefovich. The collegium was considered to be the most prominent one in Belarus, it owned a piares seminary and even a high school where even the Oriental languages were taught. The pedagogical and scientific activity of M. Dogel, К. Nar-but, S. T. Yundzil, A. Dov-gird, the important scientists of the XVIII — of the first part of the XIX century, is connected with Szczuczyn. A number of scientists, who made the science famous in many countries of the world, graduated from the Schuchin specialized school. Ignatiy Domeiko should be included in this number first of all.

Nowadays Szczuczyn is an administrative and an economical-cultural center of the Region. Such important enterprises, as the works “Avtopro-vod”, a creamery-cheese factory, a forest economy operate here. The following architectural monuments have been preserved: the Roman Catholic Church of Teresa (the year 1829), the St. Michael’s Orthodox-Church (Mikhailovskaya Church), the end of the XIX century.

Pictures taken in January, 17, 2009; July, 25, 2015.