All the way to the distant skyline. Sightseeings, greenways in European, Israeli nature, towns, pictures, photo extreme tours from usual life. Black and white photo

 

Papal Palace, Episcopal Ensemble and Avignon Bridge

 
 

 
 

Avignon and its popes

 
In 1309 the city, still part of the Kingdom of Arles, was chosen by Pope Clement V as his residence, and from 9 March 1309 until 13 January 1377 was the seat of the Papacy instead of Rome. This caused a schism in the Catholic Church. At the time, the city and the surrounding Comtat Venaissin were ruled by the kings of Sicily from the house of Anjou. French King Philip the Fair, who had inherited from his father all the rights of Alphonse de Poitiers (the last Count of Toulouse), made them over to Charles II, King of Naples and Count of Provence (1290). Nonetheless, Phillip was a shrewd ruler. Inasmuch as the eastern banks of the Rhone marked the edge of his kingdom, when the river flooded up into the city of Avignon, Phillip taxed the city since during periods of flood, the city technically lay within his domain.
 
 

Papal Avignon

 
Regardless, on the strength of the donation of Avignon, Queen Joanna I of Sicily, as countess of Provence, sold the city to Clement VI for 80,000 florins on 9 June 1348 and, though it was later the seat of more than one antipope, Avignon belonged to the Papacy until 1791, when, during the disorder of the French Revolution, it was reincorporated with France.
 

Seven popes resided there:

  • Pope Clement V: 1305–1314
  • Pope John XXII: 1316–1334
  • Pope Benedict XII: 1334–1342
  • Pope Clement VI: 1342–1352
  • Pope Innocent VI: 1352–1362
  • Pope Urban V: 1362–1370
  • Pope Gregory XI: 1370–1378

This period from 1309–1377 – the Avignon Papacy – was also called the Babylonian Captivity of exile, in reference to the Israelites’ enslavement in biblical times.

The walls that were built by the popes in the years immediately after the acquisition of Avignon as papal territory are well preserved. As they were not particularly strong fortifications, the Popes relied instead on the immensely strong fortifications of their palace, the “Palais des Papes”. This immense Gothic building, with walls 17–18 feet thick, was built 1335–1364 on a natural spur of rock, rendering it all but impregnable to attack. After being taken following the French Revolution, it was used as a barracks and prison for many years but it is now a museum.

Avignon, which at the beginning of the 14th century was a town of no great importance, underwent extensive development during the time the seven Avignon popes and two anti-popes, Clement V to Benedict XIII made their residences there. To the north and south of the rock of the Doms, partly on the site of the Bishop’s Palace, which had been enlarged by John XXII, was built the Palace of the Popes, in the form of an imposing fortress made up of towers, linking one to another, and named as follows: De la Campane, de Trouillas, de la Glacière, de Saint-Jean, des Saints-Anges (Benedict XII), de la Gâche, de la Garde-Robe (Clement VI), de Saint-Laurent (Innocent VI). The Palace of the Popes belongs, by its severe architecture, to the Gothic art of the South of France. Other noble examples can be seen in the churches of St. Didier, St. Peter and St. Agricola, as well as the Clock Tower, and in the fortifications built between 1349 and 1368 for a distance of some three miles (5 km), flanked by thirty-nine towers, all of which were erected or restored by the Roman Catholic Church. The frescoes that are on the interiors of the Palace of the Popes and the churches of Avignon were created primarily by artists from Siena.

The popes were followed to Avignon by agents (factores) of the great Italian banking-houses, who settled in the city as money-changers, as intermediaries between the Apostolic Chamber and its debtors, living in the most prosperous quarters of the city, which was known as the Exchange. A crowd of traders of all kinds brought to market the products necessary to maintain the numerous court and of the visitors who flocked to it; grain and wine from Provence, from the south of France, the Roussillon and the country around Lyon. Fish was brought from places as distant as Brittany; cloths, rich stuffs and tapestries came from Bruges and Tournai. We need only glance at the account-books of the Apostolic Chamber, still kept in the Vatican archives, in order to judge of the trade of which Avignon became the center. The university founded by Boniface VIII in 1303, had a good many students under the French popes, drawn thither by the generosity of the sovereign pontiffs, who rewarded them with books or benefices.

During the Great Schism (1378–1415) the antipopes Clement VII and Benedict XIII returned to reside at Avignon. Clement VII lived in Avignon during his entire anti-pontificate, while Benedict XIII only lived there until 1403 when he was forced to flee to Aragon.

 
 
 

See photos of Episcopal Ensemble, it’s Avignon photos in this travel photo gallery from Verde Wanderer. Pictures taken at 10 of October, 2010.

Amsterdam fans out south from the Amsterdam Centraal railway station. The Damrak is the main street and leads into the street Rokin. The oldest area of the town is known as de Wallen (the quays). It lies to the east of Damrak and contains the city’s famous red light district. To the south of de Wallen is the old Jewish quarter of Waterlooplein. The 17th century canals of Amsterdam, known as the Grachtengordel, embraces the heart of the city where homes have interesting gables. Beyond the Grachtengordel are the former working class areas of Jordaan and de Pijp. The Museumplein with the city’s major museums, the Vondelpark, a 19th-century park named after the Dutch writer Joost van den Vondel, and the Plantage neighbourhood, with the zoo, are also located outside the Grachtengordel.

See photos of Amsterdam (including canals, The Scheepvaarthuis, The Church of St Nicholas, Dam Square and more) in this travel photo gallery from Verde Wanderer. Pictures taken in 16 of April, 2013.

Several parts of the city and the surrounding urban area are polders. This can be recognised by the suffix -meer which means lake, as in Aalsmeer, Bijlmermeer, Haarlemmermeer, and Watergraafsmeer.

The Amsterdam canal system is the result of conscious city planning. In the early 17th century, when immigration was at a peak, a comprehensive plan was developed that was based on four concentric half-circles of canals with their ends emerging at the IJ bay. Known as the Grachtengordel, three of the canals were mostly for residential development: the Herengracht (where “Heren” refers to Heren Regeerders van de stad Amsterdam (ruling lords of Amsterdam), and gracht means canal, so the name can be roughly translated as “Canal of the lords”), Keizersgracht (Emperor’s Canal), and Prinsengracht (Prince’s Canal). The fourth and outermost canal is the Singelgracht, which is often not mentioned on maps, because it is a collective name for all canals in the outer ring. The Singelgracht should not be confused with the oldest and most inner canal Singel. The canals served for defence, water management and transport. The defences took the form of a moat and earthen dikes, with gates at transit points, but otherwise no masonry superstructures. The original plans have been lost, so historians, such as Ed Taverne, need to speculate on the original intentions: it is thought that the considerations of the layout were purely practical and defensive rather than ornamental.

Construction started in 1613 and proceeded from west to east, across the breadth of the layout, like a gigantic windshield wiper as the historian Geert Mak calls it – and not from the centre outwards, as a popular myth has it. The canal construction in the southern sector was completed by 1656. Subsequently, the construction of residential buildings proceeded slowly. The eastern part of the concentric canal plan, covering the area between the Amstel river and the IJ bay, has never been implemented. In the following centuries, the land was used for parks, senior citizens’ homes, theatres, other public facilities, and waterways without much planning.
Bridges over a canal.

Over the years, several canals have been filled in, becoming streets or squares, such as the Nieuwezijds Voorburgwal and the Spui. Expansion Main article: Expansion of Amsterdam since the 19th century.

After the development of Amsterdam’s canals in the 17th century, the city did not grow beyond its borders for two centuries. During the 19th century, Samuel Sarphati devised a plan based on the grandeur of Paris and London at that time. The plan envisaged the construction of new houses, public buildings and streets just outside the grachtengordel. The main aim of the plan, however, was to improve public health. Although the plan did not expand the city, it did produce some of the largest public buildings to date, like the Paleis voor Volksvlijt.

Following Sarphati, Van Niftrik and Kalff designed an entire ring of 19th century neighbourhoods surrounding the city’s centre, with the city preserving the ownership of all land outside the 17th century limit, thus firmly controlling development. Most of these neighbourhoods became home to the working class.

In response to overcrowding, two plans were designed at the beginning of the 20th century which were very different from anything Amsterdam had ever seen before: Plan Zuid, designed by the architect Berlage, and West. These plans involved the development of new neighbourhoods consisting of housing blocks for all social classes.

After the Second World War, large new neighbourhoods were built in the western, southeastern, and northern parts of the city. These new neighbourhoods were built to relieve the city’s shortage of living space and give people affordable houses with modern conveniences. The neighbourhoods consisted mainly of large housing blocks situated among green spaces, connected to wide roads, making the neighbourhoods easily accessible by motor car. The western suburbs which were built in that period are collectively called the Westelijke Tuinsteden. The area to the southeast of the city built during the same period is known as the Bijlmer.

Built in the Renaissance style, designed by the Dutch architect Hendrick de Keyser, the Westertoren (1637) is the highest church tower (85m) in Amsterdam. The canal houses on the right are characteristic of the architecture of the Dutch Golden Age.
The old city houses on Damrak

Amsterdam has a rich architectural history. The oldest building in Amsterdam is the Oude Kerk (Old Church), at the heart of the Wallen, consecrated in 1306. The oldest wooden building is het Houten Huys at the Begijnhof. It was constructed around 1425 and is one of only two existing wooden buildings. It is also one of the few examples of Gothic architecture in Amsterdam. In the 16th century, wooden buildings were razed and replaced with brick ones. During this period, many buildings were constructed in the architectural style of the Renaissance. Buildings of this period are very recognisable with their stepped gable façades, which is the common Dutch Renaissance style. Amsterdam quickly developed its own Renaissance architecture. These buildings were built according to the principles of the architect Hendrick de Keyser. One of the most striking buildings designed by Hendrick de Keyer is the Westerkerk. In the 17th century baroque architecture became very popular, as it was elsewhere in Europe. This roughly coincided with Amsterdam’s Golden Age. The leading architects of this style in Amsterdam were Jacob van Campen, Philip Vingboons and Daniel Stalpaert.
The Scheepvaarthuis, by arhitects Johan van der Mey, Michel de Klerk, Piet Kramer is characteristic of the architecture of the Amsterdam School.

Philip Vingboons designed splendid merchants’ houses throughout the city. A famous building in baroque style in Amsterdam is the Royal Palace on Dam Square. Throughout the 18th century, Amsterdam was heavily influenced by French culture. This is reflected in the architecture of that period. Around 1815, architects broke with the baroque style and started building in different neo-styles. Most Gothic style buildings date from that era and are therefore said to be built in a neo-gothic style. At the end of the 19th century, the Jugendstil or Art Nouveau style became popular and many new buildings were constructed in this architectural style. Since Amsterdam expanded rapidly during this period, new buildings adjacent to the city centre were also built in this style. The houses in the vicinity of the Museum Square in Amsterdam Oud-Zuid are an example of Jugendstil. The last style that was popular in Amsterdam before the modern era was Art Deco. Amsterdam had its own version of the style, which was called the Amsterdamse School. Whole districts were built this style, such as the Rivierenbuurt. A notable feature of the façades of buildings designed in Amsterdamse School is that they are highly decorated and ornate, with oddly shaped windows and doors.

The old city centre is the focal point of all the architectural styles before the end of the 19th century. Jugendstil and Georgian are mostly found outside the city’s centre in the neighbourhoods built in the early 20th century, although there are also some striking examples of these styles in the city centre. Most historic buildings in the city centre and nearby are houses, such as the famous merchants’ houses lining the canals.

wikipedia.org

Read more : Find the best travel deals for hajj and umrah. Looking for Umrah Packages 2019 perform your holy journey

The wonderful forest near Daugerdzishki village, Ivje district, Belarus. A forest wrapped up by an indescribable mossy carpet. Walking around bog. The morning forest.

Belarus is among the top ten states in Europe on forest indicators characterizing the forest resources. Forest in Belarus is not only an economic and ecological resource. For residents of many Belarusian towns and villages all the way of life associated with the forest. Belarusians has always been as forest people who live in the swamps. This is terra incognito for many countries.

Pictures of nature photos gallery from 2 of September, 2006.
And a new updating from August,11, 2007; October,9, 2009; August,21, 2010.

 

Today Tabgha (also spelled Tabhka) is village, but a small area on the northwest shore of the Sea of Galilee, not far from Capernaum. There lies the Church of the Multiplication of Loaves and Fishes, the traditional site of the food multiplication story found in all four gospels (Matthew 14:13-21, Mark 6:31-44, Luke 9:10-17, John 6:5-15). It is also where Jesus appeared to his disciples after his resurrection (John 21:1-17).

The church is most famous for a mosaic of loaves and fishes from the original mid-third century church. The church was expanded in the fifth century, but soon after destroyed by the Persians when they invaded in 614. The Byzantine structures and mosaics were excavated in the 1930s by a German team. In 1982, the current reconstruction was added. The original mosaics depict water birds and plants, ecology of the marshy swamps typical of the area historically.

The name Tabgha is a variation on its ancient Greek name, Heptapegon, meaning “seven springs.” Six of these springs have been identified in modern times, including one known as “Job’s Spring.”

This was probably the shrine described by the pilgrim Egeria at the end of the 4th century:

“In the same place facing the Sea of Galilee is a well watered land in which lush grasses grow, with numerous trees and palms. Nearby are seven springs which provide abundant water. In this fruitful garden Jesus fed five thousand people with five loaves of bread and two fish.”

This pictures have been taken on 27 of September, 2011.
This photo gallery is as Israel Travel Photo Guide.

wikipedia.org

 

The Mount of Beatitudes (also traditionally known as the Mount Eremos) stands serenely near the northwest corner of the Sea of Galilee and Tabgha. It is the only definable mountain that is in close proximity to the Evangelical Triangle, that area in which Jesus conducted most of his ministry. The Triangle was the area falling between the cities of Capernaum, Chorazin and Bethsaida. The Mount of Beatitudes is the likely spot where Jesus sat down and gave the Beatitudes of Matthew 5:1-12.

Although there is discrepancy between Matthew’s version being on a hill and Luke’s being on a level place is easily reconciled with observation of many level places on the Galilean hillsides. Scripture gives no indication of the exact location of this event, but the Byzantines built a church to commemorate it at the bottom of the hill.

Today the mount is adorned with a lovely Roman Catholic church built in 1937 by the Franciscan Sisters with the support of the Italian ruler Mussolini. The building which was constructed by the noted architect Antonio Barluzzi is full of numerical symbolism. In front of the church, the symbols on the pavement represent Justice, Prudence, Fortitude, Charity, Faith and Temperance. Inside the church hangs the cloak from Pope Paul VI’s visit in 1964.

The church grounds have an abundance of beautiful flowers and a breathtaking view of the Sea of Galilee as well. Scattered throughout the grounds are plaques reminding the visitor of each Beatitude.

See photos of Mount of Beatitudes in this travel photo gallery from Verde Wanderer. This pictures have been taken on 27 of September, 2011.

wikipedia.org